Items tagged with History

WestportREADS 2018: West Point Glee Club with Music of WWI

Please see full event listing for date.

  

The West Point Glee Club, one of the U.S. Military Academy’s most visible cadet organizations, performs music and writings from WWI. For over one hundred years, its members have touched audiences around the world with a model depiction of the Corps of Cadets through live performance in the nation’s finest concert halls, national network and feature film appearances, and recordings. The Glee Club enhances life at West Point through its traditional ceremonial duties and represents West Point and the U.S. Army at official events.

Community partner and venue: Saugatuck Congregational Church, 245 Post Road East

Under the direction of Constance Chase, the Glee Club’s recent seasons included the Kennedy Center special Taking the Stage, aired on ABC, in which they appeared with Tom Hanks, GEN Colin Powell and six living original Tuskegee Airmen, and the Carnegie Hall premiere of Jake Runestad’s Dreams of the Fallen. The Glee Club travels throughout the United States appearing at venues as diverse as Lincoln Center, Tanglewood Music Center, Library of Congress, Kansas City’s Kauffman Center, New York Public Library, Grand Ole Opry, Madison Square Garden and Soldier Field. The Glee Club has performed with such renowned ensembles as the Boston Pops, New York Pops, U.S. Marine Band ”The President’s Own,” and Opera Orchestra of New York. The group has recorded with country artist Trace Adkins, also appearing with him on the CBS ACM Awards national broadcast, with crossover pianist Marina Arsenijivec in a PBS special “Marina at West Point: Unity through Diversity,” and with Tony-award winner Lea Salonga in the DVD “Stand Ye Steady.” 

Since 2010, the accompanist has been Andrea Shaut. More on Andrea...

WestportREADS is funded by the estate of Jerry A. Tishman.

West Point Glee Club Director Constance Chase has conducted the renowned college choir in the nation’s finest concert halls including Carnegie Hall, Lincoln Center, Tanglewood, and the Kennedy Center for the Performing Arts. She has directed the Glee Club in national concert tours and many recordings, including closing credits for We Were Soldiers (Paramount), Stand Ye Steady (Curtain Call) with Tony Award winner Lea Salonga, Marina at West Point: Unity through Diversity (PBS) with cross-over pianist Marina Arsenijivec, ‘Til the Last Shot’s Fired (Capitol) with country artist Trace Adkins, which they performed live with Mr. Adkins at the 2009 ACM Awards Show, and the CDs “Voice of the Corps” and “Live at Notre Dame.” Under her preparation, the Glee Club garnered  New York Times’ critical praise for its “robust and well-prepared singing” in a 2008 Carnegie Hall performance with Opera Orchestra of New York, Eve Queler, Director, of Rimsky-Korsakov’s The Tsar’s Bride. Recent guest conductor appearances include Symphony of the Americas and the Mormon Tabernacle Choir.

Artistic Director of Connecticut Chamber Choir since 2008, Ms. Chase conducted CCC’s 2016 U.S. premiere of Donald Fraser’s stunning new arrangement for chamber choir and string orchestra of Elgar’s Sea Pictures, its2011 New York City debut at St. Patrick’s Cathedral, 2015 appearance at the inaugural ChoralfestUSA at Symphony Space, and biannual performances of major works including J.S. Bach Magnificat, Haydn Paukenmesse and Lord Nelson Mass, Fauré and Duruflé Requiems, Bernstein MASS, chamber works spanning the sixteenth to twenty-first centuries, and most recently, Illumination: Early Cantatas of J.S. Bach with the period instrument consort, The Sebastians. Ms. Chase is an adjunct professor in applied voice at Western Connecticut State University’s School of Visual and Performing Arts. A lyric soprano and accomplished soloist in recital and chamber works, Ms. Chase has performed as a choral artist under the batons of Gerard Schwarz, Louis Langree, Nicholas McGegan, and Jane Glover. She presents workshops on the voice regionally and across the country for ACDA and NATS. Ms. Chase earned the B.M., magna cum laude, from University of North Carolina at Greensboro, Zertifikat from Goethe Institut, Schwäbisch Hall, Germany, and M.A. in Voice Performance from Hunter College-City University of New York where she was awarded the Agnes Duffy Prize. She is co-author with the late Shirlee Emmons of Prescriptions for Choral Excellence, Oxford University Press (2006).

Andrea Shaut is a prominent musician in the Hudson Valley music scene. Since graduating with a Music Performance degree from Ithaca College and moving to Kingston NY, she has established a demanding and diverse schedule of musical performances and a private teaching studio with students of all ages/levels.

Andrea has been accompanist for the prestigious West Point Military Academy Glee Club since 2010. With this talented choir, she has had the opportunity to perform across the country at renowned theater venues, hospitals, stadiums, and schools. A few noted performances include Louisiana Governor’s Inauguration, an NFL-sponsored Super Bowl party opening for Blake Shelton & Jon Stewart, performing with Trace Adkins at The Grand Ole Opry, a recording session at the world famous Skywalker Sound in California, and performances at George Washington University, Ellis Island, Tiger Woods Nike Theater in Portland Oregon, and West Point’s own Eisenhower Hall. Other accompanying highlights have been performing Carmina Burana with Ars Choralis at Opus 40, traveling abroad (Hungary, Italy, Austria) with the Hudson Valley Youth Chorale, accompanying musicians at Maverick Concerts in Woodstock, and collaborating with many professional musicians for concert recitals. Andrea also enjoys accompanying and coaching young musicians for competitions and recitals, as well as for local school choirs.
Andrea founded the Hudson Valley Recital Project, a recital series featuring professional and student musicians, with the mission to strengthen community and education through music. Recitals are held every two months and feature Andrea as director and accompanist. Each event is a themed evening with music, dance, art, food, drink. Past events have included Journey Through the Senses, An Italian Dinner Show, and Women in Music.
As a concert pianist, Andrea has performed as soloist with SUNY Ulster Wind Ensemble and regularly performs solo recitals and as a guest artist/speaker. In 2014, she released her debut CD, Simple Beauty, a collection of solo piano music dedicated to the memory of her grandmother. Other regular groups are The Father/Daughter duo, The Shaut Three-O, and new solo projects – Raggedy Andi and Classical TeaTime. Andrea is also on the Adjunct Faculty at SUNY Ulster, where she teaches piano.
 

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WestportREADS 2018: “Johnnie Get Your Gun”: American Artists Respond to World War I

Please see full event listing for date.

James Montgomery Flagg,"I Want You For U.S. Army," 1917, Poster, 29 x 39 ¾ in., New-York Historical Society

In this collaboration with the Westport Historical Society and WestportREADS, Robin Jaffee Frank will explore American artists’ responses to World War I. It remains a stark example of how far modern civilization can descend into violence. By the time the United States finally entered the conflict, Americans were acutely aware of the unprecedented casualty rates. Yet poster propaganda cajoled “I Want You,” and Norman Rockwell’s Life magazine cover reassuringly depicted happy doughboys singing George M. Cohan’s popular song “Over There.” More...

Please call (203) 222-1424 to reserve your seats; reservations are suggested. A program fee of $10 will be taken at the door. Light refreshments will be served. 

Note location: Westport Historical Society, 25 Avery Place, Westport, CT

WestportREADS is funded by the estate of Jerry A. Tishman.

Famous and lesser-known American artists of all generations, aesthetic styles, regions, and political points of view developed imagery to express ideas about the imperiled world in which they lived.Soon after the war began, wealthy sculptor and art patron Gertrude Vanderbilt Whitney established a hospital for Allied soldiers; she also created sculptures that captured her patients’ anguish. While modernist Charles Burchfield waited to be drafted, the war haunted his art. While visiting her younger brother at a military training camp, Georgia O’Keeffe came up with the idea for a watercolor of a floating “dark red flag—trembling in the wind like my lips when I’m about to cry.” Italian immigrant Salvator Cillis’s illustrated letters illuminate his experience fighting in the Argonne, the deadliest battle in US military history. Columbia University art professor Claggett Wilson, who volunteered for the Marine Corps, recorded his experiences in hallucinatory watercolors.

At a time when the American armed forces were segregated, Horace Pippin, who fought with the Harlem Hellfighters, suffered combat injuries and made paintings as a means of physical rehabilitation and spiritual expression. Pippin recounted, “I can never forget suffering . . . so I came home with all of it in my mind and I paint from it today.” American expatriate artist John Singer Sargent toured the western front under the auspices of the British Ministry of Information. His monumental masterpiece Gassed pictures rows of British soldiers blinded by mustard gas. Susan Macdowell Eakins painted an empathetic portrait of a French artist who was blinded at the Battle of Artois. During the war, legendary photographer Edward Steichen served as chief of the photographic section of the American Expeditionary Forces and took pictures of bombs being dropped from planes; in the war’s aftermath, he suffered from depression. After the war, John Steuart Curry—who lived for a time in Westport—portrayed the ceremonial reburial of the remains of his high school friend, and also painted powerful anti-war statements in the 1930s on the brink of World War II.

Robin Jaffee Frank, who organized the exhibition World War I Beyond the Trenches at the New-York Historical Society, will discuss works of art that reflect the prolonged grief and creative attempts at healing by mourners and veterans. On this centennial of our nation’s entry into the “forgotten war,” we can choose to remember our collective history through the eyes of artists. Please call (203) 222-1424 to reserve your seats; reservations are suggested. A program fee of $10 will be taken at the door. Light refreshments will be served.

Robin Jaffee Frank, Ph.D., has organized exhibitions, lectured, and published widely on American visual culture from the colonial through contemporary periods. She organized World War I Beyond the Trenches at the New-York Historical Society, on view from May through September 2017. From 2011 to 2016, Robin was Chief Curator of the Wadsworth Atheneum Museum of Art in Hartford, where she oversaw an encyclopedic collection of 50,000 objects, and led the curatorial team through the museum’s major renovation and reinstallation. Simultaneously Robin organized the acclaimed exhibition Coney Island: Visions of an American Dreamland, 1861–2008 and authored the accompanying award-winning book published by Yale University Press. Currently a version of her exhibition is traveling across the country through the On-the-Road program of the National Endowment for the Humanities.

Prior to working at the Wadsworth, Robin was a curator at the Yale University Art Gallery, where she collaborated on the renovation and reinstallation of the American galleries and co-organized the traveling exhibition Life, Liberty, and the Pursuit of Happiness: American Art from the Yale University Art Gallery. Among her many other exhibition catalogues are Love and Loss: American Portrait and Mourning Miniatures and Charles Demuth Poster Portraits: 1923–1929. Robin holds a Ph.D in the History of Art from Yale University. 

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WestportREADS 2018: “On the Front”: Veterans Reflections on WWI

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A panel of veterans willreflect on their own experiences of war and how the “great war” altered their world. In this collaboration with WestportREADS, the Westport Historical Society will moderate an open dialogue about war and the impacts on the daily lives of people dealing with the aftermath of the World War I, as well as the building tension of World War II. Veterans from various backgrounds will discuss their experiences and their thoughts on the conflicts that still arise today. More...

Note location: Westport Historical Society, 25 Avery Place, Westport, CT

Please call (203) 222-1424 to reserve your seats; reservations are suggested. A program fee of $10 will be taken at the door. Light refreshments will be served.

WestportREADS is funded by the estate of Jerry A. Tishman.

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WestportREADS 2018 Family Program: Create Your Own "Dazzle Ship"

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As part of Westport reads , families are invited to design their own Dazzle Ship to take home. Learn about this extraordinary and little-known military tactic. Dazzle Ships by Chris Barton is one of the companion books chosen for WestportREADS 2018 and is a picture book of the dazzling way that British and American ships were painted in WWI to decive the German U-boat crews. Reserve a copy of Dazzle Ships.

WestportREADS is funded by the estate of Jerry A. Tishman.

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WestportREADS 2018, All ages

WestportREADS 2018: Author Andrew Carroll on "My Fellow Soldiers"

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Writer Andrew Carroll will discuss his most recent book, My Fellow Soldiers: General John Pershing and the Americans Who Helped Win the Great War. The book draws on a rich trove of both little-known and newly uncovered letters and diaries to create a vivid and moving account of the American experience in World War I, with General John Pershing featured prominently in the foreground.

Andrew is also the author of three New York Times bestsellers, including Letters of a NationWar Letters and Behind the Lines. He is featured in the critically acclaimed PBS film on World War I, called "The Great War.” He serves as the director of the Center for American War Letters.

Andrew has also been a contributing editor to numerous publications, including the New Yorker, TIME, AARP’s Bulletin and  magazine, and his op-eds and articles have appeared in the Wall Street Journal, the New York Times, American History magazine, USA Today, the Washington Post, Details, and National Geographic. He also authored the play, “If All the Sky Were Paper,” toured the United States in 2013 and was recently performed at the Kennedy Center. The play is based on Andrew’s worldwide search for the most extraordinary war letters ever written.

On Veterans Day 1998, Andrew Carroll founded a national initiative that honors veterans and active-duty troops by preserving their wartime correspondence. Over the past two decades, Americans have shared with Andrew an estimated 100,000 previously unpublished letters (and emails) from every war in U.S. history. The Legacy Project has been re-named “The Center for American War Letters,” and is now part of Chapman University. The Center’s mission is to continue collecting, preserving, cataloging, and digitizing, and promoting war-related correspondences. 

WestportREADS is funded by the estate of Jerry A. Tishman.

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WestportREADS 2018: Westport Cinema Initiative Screening & Discussion of "Letters from Baghdad"

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See the documentary film, Letters from Baghdad, which tells the story of Gertrude Bell, British spy, explorer and political powerhouse. She shaped the modern Middle East after World War I in ways that still reverberate today. More influential than her friend and colleague Lawrence of Arabia, Bell helped draw the borders of Iraq and established the Iraq Museum. Why has she been written out of history? After the film, a discussion with the directors will be moderated by Maggie Mudd. 

Tickets, $10 through on Westport Cinema Initiative website.

Note location: Westport Town Hall, 110 Myrtle Avenue, Westport, CT

WestportREADS is funded by the estate of Jerry A. Tishman.

Westport Town Hall

WestportREADS 2018: Reflecting on WAR STORIES: A Veterans Project

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This panel discussion brings together veterans and the creative team that created the performance work War Stories, to discuss the process and the integration of veterans back into society. The panel features Peter Van Heerden, creator of the project and Executive Director of The Quick Center for the Arts at Fairfield University, as well as artist Nina Bentley, writer Sonya Huber and the veterans from the project to tell their stories.

Note location: Westport VFW (Veterans of Foreign Wars, 465 Riverside Ave, Westport, CT 06880

PROJECT OVERVIEW

War Stories is a devised performance work created in collaboration with 16 homeless veterans from ARBI/Homes for the Brave. Using "Courageous Storytelling" as an entry point, this important and timely project employs and empowers a core group of homeless Veterans to develop a full-length performance work, War Stories.

ABOUT THE CREATIVE TEAM BEHIND WAR STORIES

Peter Van Heerden has served as Executive Director of the Regina A. Quick Center for the Arts since 2015. Van Heerden, a Westport resident, came to the Quick Center from The Westport Arts Center, a nonprofit visual and performing arts organization where he also served as Executive Director. Prior to that post, he spent 15 years as a Senior Faculty Member in Performance Studies at City Varsity School of Media and Creative Arts in Cape Town, South Africa. He also founded and served as Artistic Director of ERF 81 Cultural Collective, in which artists, performers, historians, educators and other generate projects vested in the culture and heritage of contemporary South Africa.

Nina Bentley, a graduate of the University of Wisconsin, has exhibited her work in Europe and the U.S. for over 40 years. Her sculpture is included in the permanent collection of the New Britain Art Museum of American Art in New Britain, CT. She directed the Rye Art Center in Rye, NY; ran a gallery and has served on the boards of the Silvermine Artists Guild and the Westport Arts Center. She lived in Europe and South America for 15 years and currently resides in Westport, CT.

Sonya Huber is the author of three books of creative nonfiction, Opa Nobody and Cover Me: A Health Insurance Memoir, and the new essay collection Pain Woman Takes Your Keys and Other Essays from a Nervous System. Her other books include The Evolution of Hillary Rodham Clinton and a textbook, The Backwards Research Guide for Writers. Her work has appeared in The New York Times, Creative Nonfiction, Brevity, Fourth Genre, and other journals. She teaches at Fairfield University and directs Fairfield’s Low-Residency MFA Program.

WestportREADS is funded by the estate of Jerry A. Tishman.

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WestportREADS 2018 Kick-Off: Westport WWI Digitization Day

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Do you have your grandfather’s WWI photo album tucked away in a closet? Or a stack of letters your great-grandmother kept in a box in the attic? Or a story your neighbor told you about the local homecoming parade in the back of your mind?

Bring your collection to be scanned or photographed to help us learn more about the men and women who served during World War I. The CT State Library staff record the stories and digitize the photos, letters, medals, keepsakes or objects saved by the men and women who served in the US and overseas. They’ll work with you to create a profile for the WWI era person you want to remember. They’ll scan or photograph the pictures, letters or souvenirs you bring in and return them to you the same day. All of the images and stories to an online WWI collection and to the Connecticut Digital Archive where they’ll be preserved for future generations.

A few notes:

  • Photocopies or printouts from the web cannot be digitized.
  • Newspapers or any other materials that are copyrighted cannot be digitized.
  • No weapons. They were an important part of the war, but for safety and security reasons, we can’t allow them at events.

Your ancestor wasn’t from Connecticut? No problem! We don’t care where they were from as long as you are a Connecticut resident!

To learn more check out the FAQ!

WestportREADS is funded by the estate of Jerry A. Tishman.

Snow date: Saturday, January 30

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WestportREADS 2018: World War I Through Literature and Memory

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As part of West Point's centennial commemoration of World War I, Colonel Jason Musteen led cadets in a study of the history of WWI through literature, poetry and the memoirs of its soldiers. This included a trip to historical sites of the Western Front battlefields. Through these studies, the cadets placed themselves in the shoes of others who were often the same age as them and gained a deeper appreciation for the challenges of officership. COL Musteen explains the goals and conduct of these studies and uses experiences from the cadets and officers to highlight the value of immersive studies of history on-site.  

WestportREADS is funded by the estate of Jerry A. Tishman.

Colonel Jason Musteen is an Armor/Cavalry officer serving as the Chief of International History at the United States Military Academy at West Point, New York. COL Musteen enlisted in the US Army Reserves in 1990 as a combat engineer and was commissioned a second lieutenant in the Regular Army in 1994. He is a veteran of combat operations in Afghanistan, Iraq, and East Africa, and of crisis response to the US Embassy in South Sudan.

COL Musteen holds Doctor of Philosophy and Master of Arts degrees in Modern European History from the Florida State University. He has also earned a degree in Advanced Defense Studies from the Collège Interarmées de Défense at the French War College and a Bachelor of Science degree in Biology from the University of Central Arkansas. He is the author of Nelson’s Refuge: Gibraltar in the Age of Napoleon and is a contributing author or editor of several other books and series, including consulting editor to the digital West Point History of Warfare. He is a Fellow of the International Napoleonic Society, a member of the Institute on Napoleon and the French Revolution, and the Masséna Society.
 

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Historian David Dalin with an Inside Look at the Supreme Court

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Historian David Dalin, author of Jewish Justices of the Supreme Court: From Brandeis to Kagan, examines the legal careers, lives and legacies of the eight Jewish justices who have or are servng on the Supreme Court. This program is free and open to all. To reserve a seat, email skamisar [at] jewishphilanthropyct [dot] org.

Note location: Temple Israel, 14 Coleytown Road, Westport 

 

Community partners: The Federation for Jewish Philanthropy Cardozo Society and Temple Israel

“I thought I knew a lot about the Supreme Court’s eight Jewish justices, since I have known six of them personally. But I learned so much more from David Dalin's brilliant and readable account of their very different lives and connections to their Jewish heritage. A must read for anyone interested in Jewish, American or legal history.”—Alan Dershowitz, Felix Frankfurter Professor of Law, Emeritus, Harvard Law School, and author of Taking the Stand: My Life in the Law

David G. Dalin is an historian and rabbi. He has written, co-authored or edited eleven books, including Religion and State in the American Jewish Experience with Jonathan D. Sarna. His articles and book reviews have appeared in publications such as American Jewish History, Modern Judaism, Weekly Standard, the American Jewish Year Book and the Jewish Review of Books.

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